Filmmaker Ridley Scott has brought together all of his RSA Films-affiliated companies together in a multi-business restructure to form the Ridley Scott Creative Group. The Ridley Scott Creative Group aims to strengthen the network across the related companies to take advantage of emerging opportunities across all entertainment genres as well as their existing work in film, Continue reading
June 15, 2018
The post Luke Scott to run newly created Ridley Scott Creative Group appeared first on Randi Altman's postPerspective.
To launch the new Fiji Sports Cap bottle, Wonderful Agency came up with the concept of a drop of rain from the clouds high above Fiji making its way down through the pristine environment to showcase the source of their water. The story then transitions to the Fiji Water Sports Cap bottle being used by athletes during a tough workout. Continue reading
June 13, 2018
The post MPC directs, provides VFX, color for Fiji’s new sports bottle appeared first on Randi Altman's postPerspective.
At Stereo D, a company that converts 2D theatrical content into stereoscopic 3D imagery, creating 3D editions of blockbuster movies takes hundreds of people working under the leadership of a dedicated stereo producer and stereographer team. For Solo: A Star Wars Story, the studio’s Tim Broderick and Yo Aoki talked to us about their collaboration and how they supported Ron Howard’s 3D vision for the film. Continue reading
June 13, 2018
The post Creating the 3D stereo mix for Ron Howard’s <i>Solo: A Star Wars Story</i> appeared first on Randi Altman's postPerspective.
Carbon was called on once again by agency Cramer-Krasselt to create four spots — Railblazer, Twisted Timbers, Steel Vengeance and HangTime — for Cedar Fair Entertainment Company, which owns and operates 11 amusement parks across North America.
Following the success of Carbon’s creepy 2017 teaser film for the ride Mystic Timbers, Continue reading
June 7, 2018
The post Carbon creates four animated thrill ride spots appeared first on Randi Altman's postPerspective.
By Randi Altman
Maxon is well known for having hands-on artists as presenters at their trade show booths. Highlighting these artists and their work — and streaming their presentations — has been intrinsic in what they do. Sometimes they also have artists on hand at press luncheons, where Maxon talks about their Cinema 4D product and advances that have been made while at the same time highlighting users’ work. Continue reading
June 6, 2018
The post Quick Chat: Maxon focuses on highlighting women in mograph appeared first on Randi Altman's postPerspective.
Whether you are using 360 VR or 3D, both allow audiences to feel in on the action and emotion of a film narrative or performance, but combine the two together and you can create a highly immersive experience that brings the audience directly into the “reality” of the scenes.
This is exactly what film producers and directors Fred Beahm and Bogdan Darev have done in The Cabiri: Anubis, Continue reading
May 30, 2018
The post Combining 3D and 360 VR for <i>The Cabiri: Anubis</i> film appeared first on Randi Altman's postPerspective.
Denver-based creative brand firm Friends of Mine (FOM) recently completed a graphics package for DirecTV Latin America that they had been working on for almost a year. The campaign, which first aired at the start of the 2017/2018 soccer season in August, has been airing on DirecTV’s Latin American network since then.
In addition to providing the graphics packages that ran on DirecTV Sports throughout the European Football League seasons (in Spain, Continue reading
May 22, 2018
The post Quick Chat: FOM’s Adam Espinoza on DirecTV graphics campaign appeared first on Randi Altman's postPerspective.
Framestore has named Grant Walker and Ahmed Gharraph as joint heads of CG at its London studio. The two will lead the company’s advertising, television and immersive work alongside head of animation Ross Burgess.
Gharraph has returned to Framestore after a two-year stint at ILM, where he was lead FX artist on Star Wars: The Last Jedi, Continue reading
May 21, 2018
The post Framestore London adds joint heads of CG appeared first on Randi Altman's postPerspective.
Freefolk’s New York studio has beefed up its staff with the addition of Brandon Danowski as lead Flame artist. Danowski joins Freefolk after spending four years at The Mill’s New York City office, where he worked on the NFL’s 2015 Super Bowl Babies spot, among other things. Continue reading
May 15, 2018
The post Freefolk New York hires Flame artist Brandon Danowski appeared first on Randi Altman's postPerspective.
By Alexandre Regeffe
Even though my cab driver from the airport to my hotel offered these words of wisdom — “What happens in Vegas, stays in Vegas” — I’ve decided not to listen to him and instead share with you the things that impressed for the VR world at NAB 2018. Continue reading
May 10, 2018
The post VR at NAB 2018: A Parisian’s perspective appeared first on Randi Altman's postPerspective.