iOgrapher now offering Multi Case for Androids and iOS phones

iOgrapher has debuted the iOgrapher Multi Case rig for mobile filmmaking. It’s the companies first non-iOS offering. An early pioneer of mobile media filmmaking cases for iOS devices, iOgrapher is now targeting mobile filmmakers with a flexible design to support recent model iOS and Android mobile phones of all sizes.

The iOgrapher Multi Case features:

• Slide in function for a strong and secure fit
• The ability to attach lighting and mics for higher quality mobile video production
• Flexible mount options for any standard tripod in landscape or portrait mode
• ¼ 20-inch screw mounts on handles to attach accessories
• Standard protective cases for your phone can be used — filmmakers no longer need to remove protective cases to use the iOgrapher Multi Case
• It works with Moment Lenses. Continue reading

The post iOgrapher now offering Multi Case for Androids and iOS phones appeared first on Randi Altman's postPerspective.

Timecode Systems’ timecode-over-bluetooth solution

Timecode Systems has introduced UltraSync Blue, which uses the company’s new patented timecode sync and control protocol. UltraSync Blue transmits timecode to a recording device over Bluetooth with sub-frame accuracy. This enables timecode to be transmitted wirelessly from UltraSync Blue directly into the media file of a connected device.

“The beauty of this solution is that the timecode is embedded directly into a timecode track, Continue reading

The post Timecode Systems’ timecode-over-bluetooth solution appeared first on Randi Altman's postPerspective.

New CFast 2.0 card for ARRI Alexa Mini and Amira cameras

ARRI has introduced the ARRI Edition AV Pro AR 256 CFast 2.0 card by Angelbird, which has been designed and certified for use in the ARRI Alexa Mini and Amira camera systems and can be used for ProRes and MXF/ARRIRAW recording. (Support for new CFast 2.0 cards is currently not planned for ALEXA XT, Continue reading

The post New CFast 2.0 card for ARRI Alexa Mini and Amira cameras appeared first on Randi Altman's postPerspective.

GoPro introduces new Hero7 camera lineup

GoPro’s new Hero7 lineup includes the company’s flagship Hero7 Black, which comes with a timelapse video mode, live streaming and improved video stabilization. The new video stabilization, HyperSmooth, allows users to capture professional-looking, gimbal-like stabilized video without  a motorized gimbal. HyperSmooth also works underwater and in high-shock and wind situations where gimbals fail. Continue reading

The post GoPro introduces new Hero7 camera lineup appeared first on Randi Altman's postPerspective.

Our Virtual Production Roundtable

By Randi Altman

Evolve or die. That old adage, while very dramatic, fits well with the state of our current production workflows. While most productions are now shot digitally, the warmth of film is still in the back of pros’ minds. Camera makers and directors of photography often look for ways to retain that warmth in digital. Continue reading

The post Our Virtual Production Roundtable appeared first on Randi Altman's postPerspective.

DITs: Maintaining Order on Set

By Karen Moltenbrey

The DIT, or digital imaging technician, can best be described as that important link between on-set photography and post production. Part of the camera crew, the DIT works with the cinematographer and post production on the workflow, camera settings, signal integrity and image acquisition. Much more than a data wrangler, Continue reading

The post DITs: Maintaining Order on Set appeared first on Randi Altman's postPerspective.

DP Rick Ray: traveling the world capturing stock images

By Randi Altman

It takes a special kind of human to travel the world, putting himself in harm’s way to collect hard-to-find stock imagery, but Rick Ray thrives on this way of life. This Adobe Stock contributor has a long history as a documentary filmmaker and a resume that includes 10 Questions for the Dalai Lama (2006),  Continue reading

The post DP Rick Ray: traveling the world capturing stock images appeared first on Randi Altman's postPerspective.

Review: Mobile Filmmaking with Filmic Pro, Gnarbox, LumaFusion

By Brady Betzel

There is a lot of what’s become known as mobile filmmaking being done with cell phones, such as the iPhone, Samsung Galaxy and even the Google Pixel. For this review, I will cover two apps and one hybrid hard drive/mobile media ingest station built specifically for this type of mobile production. Continue reading

The post Review: Mobile Filmmaking with Filmic Pro, Gnarbox, LumaFusion appeared first on Randi Altman's postPerspective.

Behind the Title: WIG director/cinematographer Daniel Hall

NAME: Daniel Hall

COMPANY: LA-based Where it’s Greater (@whereitsgreater)

CAN YOU DESCRIBE YOUR COMPANY?Where It’s Greater is a nimble creative studio. We sit somewhere between the traditional production company and age-old advertising agency, meaning we are a small team of creatives who are able to work with brands and other agencies alike. Continue reading

The post Behind the Title: WIG director/cinematographer Daniel Hall appeared first on Randi Altman's postPerspective.