MPC directs, provides VFX, color for Fiji’s new sports bottle

To launch the new Fiji Sports Cap bottle, Wonderful Agency came up with the concept of a drop of rain from the clouds high above Fiji making its way down through the pristine environment to showcase the source of their water. The story then transitions to the Fiji Water Sports Cap bottle being used by athletes during a tough workout. Continue reading

The post MPC directs, provides VFX, color for Fiji’s new sports bottle appeared first on Randi Altman's postPerspective.

Sim and the ASC partner on educational events, more

During Cine Gear recently, Sim announced a 30-year sponsorship with the American Society of Cinematographers (ASC). Sim offers end-to-end solutions for creatives in film and television, and the ASC is a nonprofit focusing on the art of cinematography. As part of the relationship, the ASC Clubhouse courtyard will now be renamed Sim Plaza. Continue reading

The post Sim and the ASC partner on educational events, more appeared first on Randi Altman's postPerspective.

Company 3 colorist Tim Masick supplies dark DI for First Reformed

Tim Masick of Company 3 in New York worked on the DI for writer/director Paul Schrader’s latest, First Reformed. This film stars Ethan Hawke as a pastor of a small church in upstate New York who is tormented by the death of his son in the Iraq War. Amanda Seyfried also stars. Continue reading

The post Company 3 colorist Tim Masick supplies dark DI for <i>First Reformed</i> appeared first on Randi Altman's postPerspective.

Panavision Millennium DXL2’s ecosystem grows with color science, lenses, more

Panavision’s Millennium DXL2 8K camera was on display at Cine Gear last week featuring  a new post-centric firmware upgrade, along with four new large-format lens sets, a DXL-inspired accessories kit for Red DSMC2 cameras and a preview of custom advancements in filter technology.

DXL2 incorporates technology advancements based on input from cinematographers, Continue reading

The post Panavision Millennium DXL2’s ecosystem grows with color science, lenses, more appeared first on Randi Altman's postPerspective.

The Duffer Brothers: Showrunners on Netflix’s Stranger Things

By Iain Blair

Kids in jeopardy! The Demogorgon! The Hawkins Lab! The Upside Down! Thrills and chills! Since they first pitched their idea for Stranger Things, a love letter to 1980’s genre films set in 1983 Indiana, twin brothers Matt and Ross Duffer have quickly established themselves as masters of suspense in the science-fiction and horror genres. Continue reading

The post The Duffer Brothers: Showrunners on Netflix’s <i>Stranger Things</i> appeared first on Randi Altman's postPerspective.

Il Postino director Michael Radford on his latest film, The Music of Silence

By Iain Blair

British director and writer Michael Radford is probably best-known for Il Postino, a huge international hit that won five Oscar noms, two BAFTA awards (for Best Director and Best Foreign Film) and a raft of other honors.

Radford, who began as a freelance director of documentaries, Continue reading

The post <i>Il Postino</i> director Michael Radford on his latest film, <i>The Music of Silence</i> appeared first on Randi Altman's postPerspective.

Creating the look for Netflix’s The End of the F***ing World

By Adrian Pennington

Toby Tomkins, co-founder of boutique studio Cheat explains how he worked with 8K rushes shot on Red to devise and execute the stylish look of Netflix’ hit dark comedy The End of the F***ing World.

Content in 8K UHD won’t be transmitting or streaming its way to a screen anytime soon but the ultra-high-resolution format is already making its mark in production. Continue reading

The post Creating the look for Netflix’s <i>The End of the F***ing World</i> appeared first on Randi Altman's postPerspective.

NAB 2018: A closer look at Firefly Cinema’s suite of products

By Molly Hill

Firefly Cinema, a French company that produces a full set of post production tools, premiered Version 7 of its products at NAB 2018. I visited with co-founder Philippe Reinaudo and head of business development Morgan Angove at the Flanders Scientific booth. They were knowledgeable and friendly, Continue reading

The post NAB 2018: A closer look at Firefly Cinema’s suite of products appeared first on Randi Altman's postPerspective.

Director HaZ Dulull on his sci-fi offering The Beyond

By Randi Altman

Director Hasraf “HaZ” Dulull is no stranger to making movies. Before jumping into writing and directing short sci-fi films, he was a visual effects supervisor and producer. His short film resume includes Project Kronos, I.R.I.S. and Sync. Recently, his first feature film, Continue reading

The post Director HaZ Dulull on his sci-fi offering <i>The Beyond</i> appeared first on Randi Altman's postPerspective.

Director Kay Cannon on her raunchy comedy Blockers

By Iain Blair

At a time when women are increasingly breaking down barriers in Hollywood, writer/director Kay Cannon is helping lead the charge. This director of Universal’s new film Blockers got her start at such comedic training grounds as The Second City, The iO West Theater and The ComedySportz Theatre. Continue reading

The post Director Kay Cannon on her raunchy comedy <i>Blockers</i> appeared first on Randi Altman's postPerspective.