Sofia Coppola’s The Beguiled, which took the best director prize at the 2017 Cannes Film Festival, is set in Virginia in the summer of 1864 and features a wounded and deserting Union soldier, played by Colin Farrell, takes refuge among the staff and students of a girl’s boarding school, Continue reading
February 21, 2018
The post <i>The Beguiled</i>’s DP, colorist discuss the film’s painterly look appeared first on Randi Altman's postPerspective.
At the 32nd Annual ASC Awards, where cinematographers honor fellow cinematographers, industry legend Roger Deakins, ASC,
The post Roger Deakins earns ASC Award for <i>Blade Runner 2049</i>, plus other winners appeared first on Randi Altman's postPerspective.
NAME: Trent Johnson
COMPANY: MTI Film
CAN YOU DESCRIBE YOUR COMPANY?
MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development.
AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading
February 20, 2018
The post Behind the Title: MTI Senior Colorist Trent Johnson appeared first on Randi Altman's postPerspective.
Eric Rodli has been named executive director of the American Society of Cinematographers (ASC). Rodli, an ASC associate member since 2001, has served six years as co-chair of the ASC Motion Imaging Technology Council’s Cinema Display Committee. He co-authored the committee’s 2016 white paper, “Cinema Display Evaluation Plan and Test Protocol,” which explores the key image quality parameters of dynamic range, Continue reading
February 12, 2018
The post ASC names Eric Rodli executive director appeared first on Randi Altman's postPerspective.
Sony’s next-gen CineAlta motion picture camera Venice will start shipping this month. As previously announced, V.1.0 features support for full-frame 24x36mm recording. In addition, and as a result of customer feedback, Sony has added several new capabilities, including a Dual Base ISO mode. With 15+ stops of exposure latitude, Continue reading
February 7, 2018
The post Sony to ship Venice camera this month, adds capabilities appeared first on Randi Altman's postPerspective.
By Iain Blair
If life is stranger than fiction, then the acclaimed Oscar-nominated film The Big Sick is Exhibit A. Based on the unlikely real-life courtship between Pakistani comedian/writer Kumail Nanjiani and writer/producer Emily V. Gordon, it tells the story of Kumail (playing a version of himself), Continue reading
February 5, 2018
The post The A-List: <i>The Big Sick</i> director Michael Showalter appeared first on Randi Altman's postPerspective.
Neil Anderson has been promoted to colorist at Dallas’ Lucky Post after joining the company in 2013 right out of film school. Anderson’s projects include national brands such as Canada Dry, Costa, TGI Friday’s, The Salvation Army and YETI. His latest feature work was featured at the 2018 Sundance Film Festival in Augustine Frizzell’s comedy, Continue reading
January 31, 2018
The post Neil Anderson upped to colorist at Lucky Post, talks inspiration appeared first on Randi Altman's postPerspective.
By Iain Blair
Writing and movies have always been in director/writer Dan Gilroy’s DNA. The son of Pulitzer Prize-winning playwright Frank Gilroy, he has two brothers who’re also in the business — director/writer Tony Gilroy (Michael Clayton, the Bourne franchise) and editor John Gilroy. Continue reading
January 29, 2018
The post The A-List: <i>Roman J. Israel</i> director Dan Gilroy appeared first on Randi Altman's postPerspective.
By Iain Blair
Change is good, and while there are only a handful of young, successful, black female directors shooting features these days, the tide is starting to turn. Case in point: Dee Rees, who is helping to lead the charge with her powerful new feature Mudbound, Continue reading
January 17, 2018
The post Dee Rees talks about directing <i>Mudbound</i> appeared first on Randi Altman's postPerspective.
By Daniel Restuccio
Technicolor supervising digital colorist Peter Doyle is pretty close to being a legend in the movie industry. He’s color graded 12 of the 100 top box office movies, including Peter Jackson’s Lord of the Rings trilogy, six Harry Potter films, Continue reading
January 17, 2018
The post Peter Doyle on coloring Churchill’s England for <i>Darkest Hour</i> appeared first on Randi Altman's postPerspective.