The Beguiled’s DP, colorist discuss the film’s painterly look

Sofia Coppola’s The Beguiled, which took the best director prize at the 2017 Cannes Film Festival, is set in Virginia in the summer of 1864 and features a wounded and deserting Union soldier, played by Colin Farrell, takes refuge among the staff and students of a girl’s boarding school, Continue reading

The post <i>The Beguiled</i>’s DP, colorist discuss the film’s painterly look appeared first on Randi Altman's postPerspective.

Behind the Title: MTI Senior Colorist Trent Johnson

NAME: Trent Johnson

COMPANY: MTI Film

CAN YOU DESCRIBE YOUR COMPANY?
MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development.

AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading

The post Behind the Title: MTI Senior Colorist Trent Johnson appeared first on Randi Altman's postPerspective.

ASC names Eric Rodli executive director

Eric Rodli has been named executive director of the American Society of Cinematographers (ASC). Rodli, an ASC associate member since 2001, has served six years as co-chair of the ASC Motion Imaging Technology Council’s Cinema Display Committee. He co-authored the committee’s 2016 white paper, “Cinema Display Evaluation Plan and Test Protocol,” which explores the key image quality parameters of dynamic range, Continue reading

The post ASC names Eric Rodli executive director appeared first on Randi Altman's postPerspective.

Sony to ship Venice camera this month, adds capabilities

Sony’s next-gen CineAlta motion picture camera Venice will start shipping this month. As previously announced, V.1.0 features support for full-frame 24x36mm recording. In addition, and as a result of customer feedback, Sony has added several new capabilities, including a Dual Base ISO mode. With 15+ stops of exposure latitude, Continue reading

The post Sony to ship Venice camera this month, adds capabilities appeared first on Randi Altman's postPerspective.

The A-List: The Big Sick director Michael Showalter

By Iain Blair

If life is stranger than fiction, then the acclaimed Oscar-nominated film The Big Sick is Exhibit A. Based on the unlikely real-life courtship between Pakistani comedian/writer Kumail Nanjiani and writer/producer Emily V. Gordon, it tells the story of Kumail (playing a version of himself), Continue reading

The post The A-List: <i>The Big Sick</i> director Michael Showalter appeared first on Randi Altman's postPerspective.

Neil Anderson upped to colorist at Lucky Post, talks inspiration

Neil Anderson has been promoted to colorist at Dallas’ Lucky Post after joining the company in 2013 right out of film school. Anderson’s projects include national brands such as Canada Dry, Costa, TGI Friday’s, The Salvation Army and YETI. His latest feature work was featured at the 2018 Sundance Film Festival in Augustine Frizzell’s comedy, Continue reading

The post Neil Anderson upped to colorist at Lucky Post, talks inspiration appeared first on Randi Altman's postPerspective.

The A-List: Roman J. Israel director Dan Gilroy

By Iain Blair

Writing and movies have always been in director/writer Dan Gilroy’s DNA. The son of Pulitzer Prize-winning playwright Frank Gilroy, he has two brothers who’re also in the business — director/writer Tony Gilroy (Michael Clayton, the Bourne franchise) and editor John Gilroy. Continue reading

The post The A-List: <i>Roman J. Israel</i> director Dan Gilroy appeared first on Randi Altman's postPerspective.

Peter Doyle on coloring Churchill’s England for Darkest Hour

By Daniel Restuccio

Technicolor supervising digital colorist Peter Doyle is pretty close to being a legend in the movie industry. He’s color graded 12 of the 100 top box office movies, including Peter Jackson’s Lord of the Rings trilogy, six Harry Potter films, Continue reading

The post Peter Doyle on coloring Churchill’s England for <i>Darkest Hour</i> appeared first on Randi Altman's postPerspective.