Digging into the dailies workflow for HBO’s Sharp Objects

By Randi Altman

If you have been watching HBO’s new series Sharp Objects, you might have some theories about who is murdering teenage girls in a small Missouri town, but at this point they are only theories.

Sharp Objects revolves around Amy Adams’ character, Camille, a journalist living in St. Continue reading

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Colorist Bob Festa on Yellowstone’s modern Western look

Paramount Network’s Yellowstone, from creator, writer and director Taylor Sheridan (Sicario, Hell or High Water), is a 10-episode modern-day Western starring Kevin Costner as the patriarch of the Duttons, owners of the largest ranch in the contiguous United States.

The Dutton family is in constant conflict with owners of the property surrounding their land, Continue reading

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Frame.io Masters launches with director Mark Toia

The makers of the video collaboration tool Frame.io has launched Frame.io Masters, a short-film series examining the inspiration, motivation and work of master filmmakers — in their own words. The inaugural installment features commercial director Mark Toia and explores his journey in becoming an award-winning director.

“Mark Toia launched his career off a $50 job and has since flown the world many times over,” says Emery Wells, Continue reading

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Behind the Title: Jogger Studios’ CD Andy Brown

This veteran creative director can also often be found at the controls of his Flame working on a new spot.

NAME: Andy Brown

COMPANY: Jogger Studios (@joggerstudios)

CAN YOU DESCRIBE YOUR COMPANY?
We are a boutique post house with offices in the US and UK providing visual effects, Continue reading

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Quick Chat: Freefolk colorist Paul Harrison

By Randi Altman

Freefolk, which opened in New York City in October 2017, was founded in London in 2003 by Flame artist Jason Watts and VFX artist Justine. Originally called Finish, they rebranded to Freefolk with the opening of their NYC operation. Freefolk is an independent post house that offers high-end visual effects, Continue reading

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Roundtable: Director Autumn McAlpin and her Miss Arizona post team

By Randi Altman

The independent feature film Miss Arizona is a sort of fish out of water tale that focuses on Rose Raynes, former beauty queen and current bored wife and mother who accepts an invitation to teach a life skills class at a women’s shelter. As you might imagine, the four women who she meets there don’t feel they have much in common. Continue reading

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Zoe Iltsopoulos Borys joins Panavision Atlanta as VP/GM

Panavision has hired Zoe Iltsopoulos Borys to lead the company’s Atlanta office as vice president and general manager. Borys will oversee day-to-day operations in the region.

Borys’ 25 years of experience in the motion picture industry includes business development for Production Resources Group (PRG), and GM for Fletcher Camera and Lenses (now VER). Continue reading

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An editor recaps Sight, Sound & Story 2018

By Amy Leland

Manhattan Edit Workshop’s Sight, Sound & Story (SS&S) was established in June of 2013, first offering post-related events, and then those based around cinematography as well.

As a working editor always looking to learn, I attend numerous industry events throughout the year, but this one has become one of the “can’t miss” items on my list. Continue reading

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An editor recaps Sight, Sound & Story 2018

By Amy Leland

Manhattan Edit Workshop’s Sight, Sound & Story (SS&S) was established in June of 2013, first offering post-related events, and then those based around cinematography as well.

As a working editor always looking to learn, I attend numerous industry events throughout the year, but this one has become one of the “can’t miss” items on my list. Continue reading

The post An editor recaps Sight, Sound & Story 2018 appeared first on Randi Altman's postPerspective.

Color for TV Series: A variety of workflows and styles

By Karen Maierhofer

Several years ago I was lucky enough to see Van Gogh’s The Starry Night oil on canvas at the museum and was awestruck by how rich and vibrant it really was, having had fallen in love with the painting years before after seeing reproductions/reprints, which paled in comparison to the original’s striking colors and beauty. Continue reading

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