By Adrian Pennington
Toby Tomkins, co-founder of boutique studio Cheat explains how he worked with 8K rushes shot on Red to devise and execute the stylish look of Netflix’ hit dark comedy The End of the F***ing World.
Content in 8K UHD won’t be transmitting or streaming its way to a screen anytime soon but the ultra-high-resolution format is already making its mark in production. Continue reading
April 17, 2018
The post Creating the look for Netflix’s <i>The End of the F***ing World</i> appeared first on Randi Altman's postPerspective.
By Iain Blair
At a time when women are increasingly breaking down barriers in Hollywood, writer/director Kay Cannon is helping lead the charge. This director of Universal’s new film Blockers got her start at such comedic training grounds as The Second City, The iO West Theater and The ComedySportz Theatre. Continue reading
April 3, 2018
The post Director Kay Cannon on her raunchy comedy <i>Blockers</i> appeared first on Randi Altman's postPerspective.
By Randi Altman
In a short time, many in our industry will be making the pilgrimage to Las Vegas for NAB. They will come (if they are smart) with their comfy shoes, Chapstick and the NAB Show app and plot a course for the most efficient way to see all they need to see. Continue reading
March 30, 2018
The post B&H expands its NAB footprint to target multiple workflows appeared first on Randi Altman's postPerspective.
Frame.io will be at NAB this year previewing its re-engineered workflow management tool, which will have a full release early this summer. This next generation of the company’s media review and collaboration software, the new Frame.io was redesigned with speed in mind.
The new offering will be up 100x faster with a new media browser that enables users to search through thousands of assets quickly. Continue reading
March 27, 2018
The post Frame.io to preview its next-gen collaboration tool at NAB appeared first on Randi Altman's postPerspective.
Color itself plays a significant role in the fantasy feature A Wrinkle in Time. To help get the look she wanted, director Ava DuVernay chose Mitch Paulson of Hollywood’s Efilm to handle final color grading — the two worked together on the Oscar-nominated film Selma. Continue reading
March 26, 2018
The post Color plays key role in Ava DuVernay’s <i>A Wrinkle in Time</i> appeared first on Randi Altman's postPerspective.
After film school, and working as an assistant editor, David Hussey found himself drawn to color grading. He then became an assistant to a colorist and his path was set.
In a recent video interview with the now senior colorist at LA’s Company 3, Hussey talks about the differences of coloring a short-form project versus a long-form film and walks us through his workflow on Red Sparrow, Continue reading
March 22, 2018
The post Video: <i>Red Sparrow</i> colorist David Hussey talks workflow appeared first on Randi Altman's postPerspective.
In order to support the thriving Georgia production community, post studio Light Iron has opened a new facility in Atlanta. The expansion is the fourth since Panavision acquired Light Iron in 2015, bringing Light Iron’s US locations to six total, including Los Angeles, New York, New Orleans, Albuquerque and Chicago. Continue reading
March 20, 2018
The post Light Iron opens in Atlanta, targets local film community appeared first on Randi Altman's postPerspective.
Last month Blackmagic held its first Expo, and one of the keynote speakers was Fotokem colorist Walter Volpatto. He was born in Italy and grew up on a farm, quite a long way from his current life in Los Angeles.
Volpatto originally got into this industry as a broadcast engineer, Continue reading
March 1, 2018
The post Video: Fotokem DI colorist Walter Volpatto on <i>The Last Jedi</i> and color appeared first on Randi Altman's postPerspective.
By Iain Blair
The acclaimed and multi-layered horror film Get Out, the debut feature film from comedian-turned-director Jordan Peele, is chock full of shocks and surprises. It also shocked a lot of people in the industry when it went on to gross over quarter of a billion dollars — on a $4.5 million budget, Continue reading
February 23, 2018
The post Oscar-nominated director Jordan Peele on <i>Get Out</i> appeared first on Randi Altman's postPerspective.
NAME: Trent Johnson
COMPANY: MTI Film
CAN YOU DESCRIBE YOUR COMPANY?
MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development.
AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading
February 20, 2018
The post Behind the Title: MTI Senior Colorist Trent Johnson appeared first on Randi Altman's postPerspective.