Behind the Title: Encore (and Ryan Murphy) Colorist Kevin Kirwan

NAME: Kevin Kirwan

COMPANY: Encore Hollywood

CAN YOU DESCRIBE YOUR COMPANY?
Encore specializes in television post production. I’ve been at Encore forever — they have nice people and it’s a nice working environment.

JOB TITLE: Colorist

WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading

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The A-List: The Big Sick director Michael Showalter

By Iain Blair

If life is stranger than fiction, then the acclaimed Oscar-nominated film The Big Sick is Exhibit A. Based on the unlikely real-life courtship between Pakistani comedian/writer Kumail Nanjiani and writer/producer Emily V. Gordon, it tells the story of Kumail (playing a version of himself), Continue reading

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The A-List: Roman J. Israel director Dan Gilroy

By Iain Blair

Writing and movies have always been in director/writer Dan Gilroy’s DNA. The son of Pulitzer Prize-winning playwright Frank Gilroy, he has two brothers who’re also in the business — director/writer Tony Gilroy (Michael Clayton, the Bourne franchise) and editor John Gilroy. Continue reading

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Review: Blackmagic’s DaVinci Resolve 14 for editing

By Brady Betzel

Resolve 14 has really stepped up Blackmagic’s NLE game with many great new updates over the past few months. While I typically refer to Resolve as a high-end color correction and finishing tools, this review will focus on the Editing tab.

Over the last two years, Continue reading

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Tatiana Riegel on editing the dark comedy I, Tonya

By Randi Altman

I, Tonya is sad and funny and almost unbelievable in the sense that this — or a version of this — actually did happen. It’s also a fantastic movie.

Some of us are old enough to remember when the Tonya Harding/Nancy Kerrigan “Why?!” incident took place. Continue reading

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Peter Doyle on coloring Churchill’s England for Darkest Hour

By Daniel Restuccio

Technicolor supervising digital colorist Peter Doyle is pretty close to being a legend in the movie industry. He’s color graded 12 of the 100 top box office movies, including Peter Jackson’s Lord of the Rings trilogy, six Harry Potter films, Continue reading

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Editor Sidney Wolinsky teams with Guillermo del Toro on Shape of Water

By Randi Altman

One of the reasons people love movies is their ability to transport us to another world, or another version of our world, and that’s exactly what Guillermo del Toro’s magical The Shape of Water does. He shows us that even without words, love and compassion can overcome all — even it that love is between a human and a sea creature. Continue reading

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A Conversation: Lady Bird director Greta Gerwig and editor Nick Houy

By Amy Leland

There are moments as a filmmaker, and as someone who writes about filmmaking, when I get to have such special and unexpected experiences. One of the best recent ones was a chat I had with writer/director Greta Gerwig and editor Nick Houy about their collaboration on A24’s Lady Bird, Continue reading

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Jay Nelson on editing Bryan Buckley’s The Pirates of Somalia

While Cut+Run editor Jay Nelson’s list of credits includes many high-profile commercial spots — such as the Emmy-nominated and AICP-winning The Chase for Grey Poupon, as well as those for Xbox, Skechers, Hyundai and Heinz — he is no stranger to feature film editing. In fact, Continue reading

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Behind the Title: Prism director Nick Spooner

NAME: Nick Spooner

COMPANY: Brooklyn-based Prism

CAN YOU DESCRIBE YOUR COMPANY?
Prism is a production company and creative studio, with the ability to tell brand-building stories across the full spectrum of disciplines. From traditional commercial and branded content to emerging technologies, Continue reading

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