Making the indie short The Sound of Your Voice

Hunt Beaty is a director, producer and Emmy Award-winning production sound recordist based in Brooklyn. Born and raised in Nashville, this NYU Tisch film school grad spent years studying how films got made — and now he’s made his own.

The short film The Sound of Your Voice was directed by Beaty and written and produced by Beaty, Continue reading

The post Making the indie short <i>The Sound of Your Voice</i> appeared first on Randi Altman's postPerspective.

Optical Art DI colorist Ronney Afortu on In the Fade

Chicago-born, Germany-raised Ronney Afortu has been enjoying a storied career at Hamburg-based studio Optical Art. This veteran senior DI colorist has an impressive resume, having worked on the Oscar-nominated film Mongol, with Oscar-winning director Bille August on Night Train to Lisbon, Continue reading

The post Optical Art DI colorist Ronney Afortu on <i>In the Fade</i> appeared first on Randi Altman's postPerspective.

Review: Warren Eagles’ Resolve training

By Brady Betzel

With Blackmagic’s DaVinci Resolve 15 released at this year’s NAB, a lot of editors, colorists and now audio mixers want to dive in and see what all of the fuss is about.

Resolve 15 is now a Pro Tools competitor thanks to Fairlight and an After Effects competitor thanks to Fusion. Continue reading

The post Review: Warren Eagles’ Resolve training appeared first on Randi Altman's postPerspective.

Creative editorial and post boutique Hiatus opens in Detroit

Hiatus, a full-service, post production studio with in-house creative editorial, original music composition and motion graphics departments, has opened in Detroit. Their creative content offerings cover categories such as documentary, narrative, conceptual, music videos and advertising media for all video platforms.

Led by founder/senior editor Shane Patrick Ford, Continue reading

The post Creative editorial and post boutique Hiatus opens in Detroit appeared first on Randi Altman's postPerspective.

FCPX Color Wheels Take 2

Prior to version 10.4, the color correction tools within Final Cut Pro X were very basic. You could get a lot of work done with the color board, but it just didn’t offer tools competitive with other NLEs – not to mention color plug-ins or a dedicated grading app like DaVinci Resolve. With the release […]

Creating the look for Netflix’s The End of the F***ing World

By Adrian Pennington

Toby Tomkins, co-founder of boutique studio Cheat explains how he worked with 8K rushes shot on Red to devise and execute the stylish look of Netflix’ hit dark comedy The End of the F***ing World.

Content in 8K UHD won’t be transmitting or streaming its way to a screen anytime soon but the ultra-high-resolution format is already making its mark in production. Continue reading

The post Creating the look for Netflix’s <i>The End of the F***ing World</i> appeared first on Randi Altman's postPerspective.

NAB 2018: A closer look at Firefly Cinema’s suite of products

By Molly Hill

Firefly Cinema, a French company that produces a full set of post production tools, premiered Version 7 of its products at NAB 2018. I visited with co-founder Philippe Reinaudo and head of business development Morgan Angove at the Flanders Scientific booth. They were knowledgeable and friendly, Continue reading

The post NAB 2018: A closer look at Firefly Cinema’s suite of products appeared first on Randi Altman's postPerspective.

NAB: Adobe’s spring updates for Creative Cloud

By Brady Betzel

Adobe has had a tradition of releasing Creative Cloud updates prior to NAB, and this year is no different. The company has been focused on improving existing workflows and adding new features, some based on Adobe’s Sensei technology, as well as improved VR enhancements. Continue reading

The post NAB: Adobe’s spring updates for Creative Cloud appeared first on Randi Altman's postPerspective.