Warner Bros. De Lane Lea (WBDLL) has added colorist Asa Shoul to its new picture services department, which will launch this September. Shoul’s recent credits include Mission Impossible: Fallout, Baby Driver, Amazon’s Tin Star and recently received a BAFTA craft award for his work on the multi award-winning Netflix series The Crown. Continue reading
Paramount Network’s Yellowstone, from creator, writer and director Taylor Sheridan (Sicario, Hell or High Water), is a 10-episode modern-day Western starring Kevin Costner as the patriarch of the Duttons, owners of the largest ranch in the contiguous United States.
The Dutton family is in constant conflict with owners of the property surrounding their land, Continue reading
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By David Cox
DaVinci Resolve 15 from Blackmagic Design is now close to a final release, having been in the beta phase of development for a few months. The headline is that Blackmagic’s compositing software Fusion has been incorporated into Resolve, joining the editing and audio mixing capabilities added to color grading in recent years. Continue reading
By Randi Altman
Freefolk, which opened in New York City in October 2017, was founded in London in 2003 by Flame artist Jason Watts and VFX artist Justine. Originally called Finish, they rebranded to Freefolk with the opening of their NYC operation. Freefolk is an independent post house that offers high-end visual effects, Continue reading
The Handmaiden, directed by Chan-Wook Park and inspired by Sarah Waters’s 2002’s novel Fingersmith, is set in 1930s colonial Korea and Japan. In the film, Park presents a tale of a young Japanese lady living on a secluded estate, and a Korean woman who is hired to serve as her new handmaiden, Continue reading
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By Randi Altman
The independent feature film Miss Arizona is a sort of fish out of water tale that focuses on Rose Raynes, former beauty queen and current bored wife and mother who accepts an invitation to teach a life skills class at a women’s shelter. As you might imagine, the four women who she meets there don’t feel they have much in common. Continue reading
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NAME: Rick Dalby
COMPANY: DigitalFilm Tree
CAN YOU DESCRIBE YOUR COMPANY?
I would describe DigitalFilm Tree (DFT) as a smaller, bleeding-edge, independently-owned post house that is capable of remote dailies, color and edit. I work with fellow colorists Dan Judy and Patrick Woodard. Continue reading
The post Behind the Title: DigitalFilm Tree colorist Rick Dalby appeared first on Randi Altman's postPerspective.
After seeing some of her previous work, Humble director Sasha Levinson was approached by agency R&R Partners and the Las Vegas Convention and Visitors Authority with a vision of creating four short films of personal transformation, each set across one weekend in Las Vegas, where the city was the catalyst in each narrative. Continue reading
The post Director Sasha Levinson talks about her Las Vegas tourism spots appeared first on Randi Altman's postPerspective.
NAME: David Rivero Martin
COMPANY: Freelance colorist based in China
CAN YOU DESCRIBE WHAT YOU DO?
I color grade and supervise the finishing of feature films and commercials — normally all versions and often the trailers associated with them.
AS A COLORIST, Continue reading
Electric Theatre Collective has added Luke Morrison to its London of office as head of color. He will lead a team that already includes Jason Wallis, Lewis Crossfield, Kaitlyn Battistelli, Ruth Wardell, Mathieu Caplanne and Tim Smith.
During his decade-plus career, Morrison has won multiple AICE Awards, including a win in the Color Grading: Over 90 Seconds category for his 2018 Canadian Olympic Committee “Be Olympic” spot directed by Ian Pons Jewell. Continue reading
The post Luke Morrison joins Electronic Theatre Collective as head of color appeared first on Randi Altman's postPerspective.