First-time director of Beyond Transport calls on AlphaDogs for post

The new documentary Beyond Transport, directed and produced by Ched Lohr, focuses on technology and how it’s brought people together while at the same time creating a huge disconnect in personal relationships. In this doc, this topic is examined from the perspective of cab drivers. Shot on all seven continents of the world, Continue reading

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Netflix’s Altered Carbon: the look, the feel, the post

By Randi Altman

Netflix’s Altered Carbon is a new sci-fi series set in a dystopian future where people are immortal thanks to something called “stacks,” which contain their entire essence — their personalities, their memories, everything. The one setback is that unless you are a Meth (one of the rich and powerful), Continue reading

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Video: Fotokem DI colorist Walter Volpatto on The Last Jedi and color

 

Last month Blackmagic held its first Expo, and one of the keynote speakers was Fotokem colorist Walter Volpatto. He was born in Italy and grew up on a farm, quite a long way from his current life in Los Angeles.

Volpatto originally got into this industry as a broadcast engineer, Continue reading

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HPA Tech Retreat — Color flow in the desert

By Jesse Korosi

I recently had the opportunity to attend the HPA Tech Retreat in Palm Desert, California, not far from Palm Springs. If you work in post but aren’t familiar with this event, I would highly recommend attending. Once a year, many of the top technologists working in television and feature films get together to share ideas, Continue reading

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Oscar-nominated director Jordan Peele on Get Out

By Iain Blair

The acclaimed and multi-layered horror film Get Out, the debut feature film from comedian-turned-director Jordan Peele, is chock full of shocks and surprises. It also shocked a lot of people in the industry when it went on to gross over quarter of a billion dollars — on a $4.5 million budget, Continue reading

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The Beguiled’s DP, colorist discuss the film’s painterly look

Sofia Coppola’s The Beguiled, which took the best director prize at the 2017 Cannes Film Festival, is set in Virginia in the summer of 1864 and features a wounded and deserting Union soldier, played by Colin Farrell, takes refuge among the staff and students of a girl’s boarding school, Continue reading

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Behind the Title: MTI Senior Colorist Trent Johnson

NAME: Trent Johnson

COMPANY: MTI Film

CAN YOU DESCRIBE YOUR COMPANY?
MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development.

AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading

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Behind the Title: Encore (and Ryan Murphy) Colorist Kevin Kirwan

NAME: Kevin Kirwan

COMPANY: Encore Hollywood

CAN YOU DESCRIBE YOUR COMPANY?
Encore specializes in television post production. I’ve been at Encore forever — they have nice people and it’s a nice working environment.

JOB TITLE: Colorist

WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading

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Blackmagic Design DaVinci Resolve 14

DaVinci Resolve has made its mark as one of the premier color correction applications for the film and video industries. With the introduction of Resolve 14*, it’s clear that Blackmagic Design has set its sights higher. Advanced editing functions and the inclusion of the Fairlight audio engine put Resolve on track to be the industry’s […]

Neil Anderson upped to colorist at Lucky Post, talks inspiration

Neil Anderson has been promoted to colorist at Dallas’ Lucky Post after joining the company in 2013 right out of film school. Anderson’s projects include national brands such as Canada Dry, Costa, TGI Friday’s, The Salvation Army and YETI. His latest feature work was featured at the 2018 Sundance Film Festival in Augustine Frizzell’s comedy, Continue reading

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