By Brady Betzel
Resolve 14 has really stepped up Blackmagic’s NLE game with many great new updates over the past few months. While I typically refer to Resolve as a high-end color correction and finishing tools, this review will focus on the Editing tab.
Over the last two years, Continue reading
January 24, 2018
The post Review: Blackmagic’s DaVinci Resolve 14 for editing appeared first on Randi Altman's postPerspective.
Creative director Andy Brown has moved from Jogger’s London office to its Los Angeles studio. Brown led the development of boutique VFX house Jogger London, including credits for the ADOT PSA Homeless Lights via Ogilvy & Mather, as well as projects for Adidas, Cadbury, Valentino, Continue reading
January 23, 2018
The post Jogger moves CD Andy Brown from London to LA appeared first on Randi Altman's postPerspective.
By Daniel Restuccio
Technicolor supervising digital colorist Peter Doyle is pretty close to being a legend in the movie industry. He’s color graded 12 of the 100 top box office movies, including Peter Jackson’s Lord of the Rings trilogy, six Harry Potter films, Continue reading
January 17, 2018
The post Peter Doyle on coloring Churchill’s England for <i>Darkest Hour</i> appeared first on Randi Altman's postPerspective.
Apple Final Cut Pro X 10.4 introduced new, advanced color correction tools to this editing application, including color wheels, curves, and hue vs. saturation curves. These are tools that users of other NLEs have enjoyed for some time – and, which were part of Final Cut Studio (FCP 7, Color). Like others, my first reaction […]
Burbank-based post house FotoKem provided creative and technical services for the Disney/Lucasfilm movie Star Wars: The Last Jedi. The facility built advanced solutions that supported the creative team from production to dailies to color grade. Services included a customized workflow for dailies, editorial and VFX support, Continue reading
January 4, 2018
The post Fotokem posts <i>Star Wars: The Last Jedi</i> appeared first on Randi Altman's postPerspective.
NAME: Twain Richardson
COMPANY: Kingston, Jamaica-based Frame of Reference (@forpostprod)
CAN YOU DESCRIBE YOUR COMPANY?
Frame of Reference is a boutique post production company specializing in TV commercials, digital content, music videos and films. Continue reading
January 3, 2018
The post Behind the Title: Frame of Reference CEO/Chief Creative Twain Richardson appeared first on Randi Altman's postPerspective.
December finally delivered the much-anticipated simultaneous release of new versions of Apple Final Cut Pro X, Motion, and Compressor – all on the same day as the iMac Pro officially went on sale. In the broader ecosystem, we also saw updates for macOS High Sierra, Logic Pro X, Pixelmator Pro, and Blackmagic Design DaVinci Resolve. […]
LA-based Therapy Studios provided post production on Comedy Central’s new one-hour special, The Fake News With Ted Nelms, starring Ed Helms of The Daily Show, The Office and The Hangover fame.
Edited by Therapy’s Kristin McCasey and directed by The Director Brothers (a.k.a. Continue reading
December 20, 2017
The post Therapy posts Comedy Central’s <i>The Fake News With Ted Nelms</i> appeared first on Randi Altman's postPerspective.
This London-based video editor gives it a ride
By Thomas Carter
Over the last few days I’ve had the chance to play with the new iMac Pro from Apple. I’m a professional editor at Trim Editing in London, where I cut high-end commercials, Continue reading
December 12, 2017
The post First Impressions: Apple’s new iMac Pro appeared first on Randi Altman's postPerspective.
Santa Monica color and post studio Apache has added colorist Cullen Kelly. In addition to Kelly’s hire, the studio also promoted colorist Quinn Alvarez from an assistant’s role.
Kelly joins from Labrador Post, a color grading studio he founded in Austin, Texas. He has relocated to Southern California. Continue reading
December 11, 2017
The post Apache colorists: Cullen Kelly added, Quinn Alvarez promoted appeared first on Randi Altman's postPerspective.