On Friday evening, the American Cinema Editors held it’s 68th Annual ACE Eddie awards at the Beverly Hilton Hotel with over 1,000 in attendance to celebrate. ACE president Stephen Rivkin presided over the evening’s festivities with actress/comedian Tichina Arnold serving as the evening’s host. Trophies were handed out recognizing the best editing of 2017 in 10 categories of film, Continue reading
By James Hughes
In Los Angeles on a Saturday morning, a crew of 10 students from Hollywood High School — helmed by 17-year-old director Celine Gimpirea — were transforming a corner of the Calgary Cemetery into a movie set. In The Box, a boy slips inside a cardboard box and finds himself transported to other realms. Continue reading
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By Brady Betzel
Resolve 14 has really stepped up Blackmagic’s NLE game with many great new updates over the past few months. While I typically refer to Resolve as a high-end color correction and finishing tools, this review will focus on the Editing tab.
Over the last two years, Continue reading
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By Randi Altman
I, Tonya is sad and funny and almost unbelievable in the sense that this — or a version of this — actually did happen. It’s also a fantastic movie.
Some of us are old enough to remember when the Tonya Harding/Nancy Kerrigan “Why?!” incident took place. Continue reading
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By Randi Altman
Lawrence Jordan’s fate was essentially sealed upon birth. His father and his grandfather made a living working in post and film editing in New York City.
He grew up around it; it encircled him. His path became pretty clear at a very young age. Continue reading
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NAME: David Cea
COMPANY: Whitehouse Post in New York
CAN YOU DESCRIBE YOUR COMPANY?
Originally, we were an editorial shop that has grown into a one-stop shop for all things post production.
WHAT’S YOUR JOB TITLE? Continue reading
New York-based creative editorial company BlueRock has added Chrissy Rabe as editor. Prior to joining BlueRock, she worked for Box Motion and Gloss VFX, collaborating with clients such as Nike, Prada, Calvin Klein, Louis Vuitton, Godiva, Harley Davidson, Zara, Gap, Sephora and MAC Cosmetics. Rabe also cut the Lane Bryant This Body campaign for Laird and Partners. Continue reading
Billy Montross has been promoted to editor at Cutters Studio in Chicago. He joined the post house back in 2012 as an intern after working as a P.A. for director John Komnenich. By early 2013, Montross earned the role of assistant editor, supporting many of the Cutters editors and key clients, Continue reading
By Randi Altman
One of the reasons people love movies is their ability to transport us to another world, or another version of our world, and that’s exactly what Guillermo del Toro’s magical The Shape of Water does. He shows us that even without words, love and compassion can overcome all — even it that love is between a human and a sea creature. Continue reading
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By Amy Leland
There are moments as a filmmaker, and as someone who writes about filmmaking, when I get to have such special and unexpected experiences. One of the best recent ones was a chat I had with writer/director Greta Gerwig and editor Nick Houy about their collaboration on A24’s Lady Bird, Continue reading
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