Roundtable Post tackles HFR, UHD and HDR image processing

If you’re involved in post production, especially episodic TV, documentaries and feature films, then it’s highly probable that High Frame Rate (HFR), Ultra High Definition (UHD) and High Dynamic Range (HDR) have come your way.

“On any single project, the combination of HFR, UHD and HDR image-processing can be a pretty demanding, cutting-edge technical challenge, Continue reading

The post Roundtable Post tackles HFR, UHD and HDR image processing appeared first on Randi Altman's postPerspective.

Understanding and partnering on HDR workflows

By Karen Maierhofer

Every now and then a new format or technology comes along that has a profound effect on post production. Currently, that tech is high dynamic range, or HDR, which offers a heightened visual experience through a greater dynamic range of luminosity.

So why is HDR important to the industry? Continue reading

The post Understanding and partnering on HDR workflows appeared first on Randi Altman's postPerspective.

Understanding and partnering on HDR workflows

By Karen Maierhofer

Every now and then a new format or technology comes along that has a profound effect on post production. Currently, that tech is high dynamic range, or HDR, which offers a heightened visual experience through a greater dynamic range of luminosity.

So why is HDR important to the industry? Continue reading

The post Understanding and partnering on HDR workflows appeared first on Randi Altman's postPerspective.

A colorist weighs in on ‘the new world’ of HDR

By Maxine Gervais

HDR is on many people’s minds these days. Some embrace it, some are hesitant and some simply do not like the idea.

But what is HDR really? I find that manufacturers often use the term too loosely. Anything that offers higher dynamic range can fall into the HDR category, Continue reading

The post A colorist weighs in on ‘the new world’ of HDR appeared first on Randi Altman's postPerspective.

A colorist weighs in on ‘the new world’ of HDR

By Maxine Gervais

HDR is on many people’s minds these days. Some embrace it, some are hesitant and some simply do not like the idea.

But what is HDR really? I find that manufacturers often use the term too loosely. Anything that offers higher dynamic range can fall into the HDR category, Continue reading

The post A colorist weighs in on ‘the new world’ of HDR appeared first on Randi Altman's postPerspective.

NAB First Thoughts: Fusion in Resolve, ProRes RAW, more

By Mike McCarthy

These are my notes from the first day I spent browsing the NAB Show floor this year in Las Vegas. Further information from the exhibition will be posted once my trip is complete, but this should provide an overview of the important things that stood out to me the most. Continue reading

The post NAB First Thoughts: Fusion in Resolve, ProRes RAW, more appeared first on Randi Altman's postPerspective.

AJA and Avid intro Avid Artist | DNxIP hardware interface

AJA has collaborated with Avid to develop Avid Artist | DNxIP, a new hardware interface option for Avid Media Composer users that supports high frame rate, deep color and HDR IP workflows. It is a Thunderbolt 3-equipped I/O device that enables the transfer of SMPTE standard HD video over 10 GigE IP networks, Continue reading

The post AJA and Avid intro Avid Artist | DNxIP hardware interface appeared first on Randi Altman's postPerspective.