Kathrin Lausch joins Uppercut as EP

New York post shop Uppercut has added Kathrin Lausch as executive producer. Lausch has over two decades of experience as an executive producer for top production and post production companies such as MPC, Ntropic, B-Reel, Nice Shoes, Partizan and Compass Films, among others. She has led shops on the front lines for the outset of digital, Continue reading

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Oscar-winner Jeff White is now CD at ILM Vancouver

Oscar-winning visual effects supervisor Jeff White has been named creative director of Industrial Light & Magic’s Vancouver studio. A 16-year ILM veteran, White will work directly with ILM Vancouver executive in charge Randal Shore.

Recently, the Academy of Motion Picture Arts and Sciences honored White and three colleagues, Continue reading

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Cutter Mark Burnett returns to his Australian roots and The Editors

Editor Mark Burnett has returned home to Australia and The Editors after nine years of cutting in London, most recently at The Whitehouse. Launching his career in Sydney, working at The Post Office before joining The Editors back in 2007, Burnett moved to London in 2009 to edit at Speade, Continue reading

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Comedy director Aaron Beckum joins Strike Anywhere

Strike Anywhere, a production company with offices in LA and San Francisco, has grown its roster with the addition of comedy director Aaron Beckum to its talented roster.

Originally from Kansas City, Beckum grew up mostly in Europe before coming to LA by way of Vancouver. Continue reading

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David Walton Smith joins digital agency Grow as head of film

Norfolk, Virginia-based digital agency Grow has expanded its film and production capabilities with the addition of David Walton Smith, who will take on the newly created role of head of film. Walton Smith will be charged with overseeing all content development and video production for the agency’s clients, which include Google, Continue reading

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ASC names Eric Rodli executive director

Eric Rodli has been named executive director of the American Society of Cinematographers (ASC). Rodli, an ASC associate member since 2001, has served six years as co-chair of the ASC Motion Imaging Technology Council’s Cinema Display Committee. He co-authored the committee’s 2016 white paper, “Cinema Display Evaluation Plan and Test Protocol,” which explores the key image quality parameters of dynamic range, Continue reading

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Neil Anderson upped to colorist at Lucky Post, talks inspiration

Neil Anderson has been promoted to colorist at Dallas’ Lucky Post after joining the company in 2013 right out of film school. Anderson’s projects include national brands such as Canada Dry, Costa, TGI Friday’s, The Salvation Army and YETI. His latest feature work was featured at the 2018 Sundance Film Festival in Augustine Frizzell’s comedy, Continue reading

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Quick Chat: ArsenalCreative’s new VFX supervisor Mike Wynd

VFX supervisor Mike Wynd has joined ArsenalCreative from MPC, where he spent eight years in a similar role. Over the years, Wynd has worked on many high-profile projects for directors such as Rupert Sanders, Noam Murro and Adam Berg. He has also won a number of industry awards, Continue reading

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Neil Anderson upped to colorist at Lucky Post, talks inspiration

Neil Anderson has been promoted to colorist at Dallas’ Lucky Post after joining the company in 2013 right out of film school. Anderson’s projects include national brands such as Canada Dry, Costa, TGI Friday’s, The Salvation Army and YETI. His latest feature work was featured at the 2018 Sundance Film Festival in Augustine Frizzell’s comedy, Continue reading

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Sim Post LA beefs up with Greg Ciaccio and Paul Chapman

It’s always nice when good things happen to good people. Recently, long-time industry post pros Greg Ciaccio and Paul Chapman joined Sim Post LA — Greg as VP of post and Paul as VP of engineering and technology.

postPerspective has known both Greg and Paul for years and often call on them to pick their brains about technology, Continue reading

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