At the 32nd Annual ASC Awards, where cinematographers honor fellow cinematographers, industry legend Roger Deakins, ASC,
The post Roger Deakins earns ASC Award for <i>Blade Runner 2049</i>, plus other winners appeared first on Randi Altman's postPerspective.
Strike Anywhere, a production company with offices in LA and San Francisco, has grown its roster with the addition of comedy director Aaron Beckum to its talented roster.
Originally from Kansas City, Beckum grew up mostly in Europe before coming to LA by way of Vancouver. Continue reading
February 20, 2018
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Norfolk, Virginia-based digital agency Grow has expanded its film and production capabilities with the addition of David Walton Smith, who will take on the newly created role of head of film. Walton Smith will be charged with overseeing all content development and video production for the agency’s clients, which include Google, Continue reading
February 16, 2018
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The commercial division of digital studio Reel FX has teamed up with Shilo founder/executive creative director Jose Sebastian Gomez to launch strategic creative group ATK PLN. Emmy Award-winner Gomez will lead the creative vision for the studio, joined by former Digital Domain HOP Jim Riche as executive producer, with overall strategy led by Reel FX’s David Bates as managing director. Continue reading
February 14, 2018
The post Trio from Reel FX and Shilo team on VFX, live-action studio appeared first on Randi Altman's postPerspective.
The Visual Effects Society (VES) celebrated artists and their work at the 16th Annual VES Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials, video games and special venues.
Seven-time host, comedian Patton Oswalt, presided over more than 1,000 guests at the Beverly Hilton. Continue reading
February 14, 2018
The post The 16th annual VES Award winners appeared first on Randi Altman's postPerspective.
Eric Rodli has been named executive director of the American Society of Cinematographers (ASC). Rodli, an ASC associate member since 2001, has served six years as co-chair of the ASC Motion Imaging Technology Council’s Cinema Display Committee. He co-authored the committee’s 2016 white paper, “Cinema Display Evaluation Plan and Test Protocol,” which explores the key image quality parameters of dynamic range, Continue reading
February 12, 2018
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Sony’s next-gen CineAlta motion picture camera Venice will start shipping this month. As previously announced, V.1.0 features support for full-frame 24x36mm recording. In addition, and as a result of customer feedback, Sony has added several new capabilities, including a Dual Base ISO mode. With 15+ stops of exposure latitude, Continue reading
February 7, 2018
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Panavision is at the BSC Expo 2018 showing its new Millennium DXL2 8K camera. The large-format camera is the heart of a complete imaging ecosystem designed from filmmakers’ perspectives, seamlessly incorporating Panavision’s unmatched optics and camera architecture, the Red Monstro 8K VV sensor and Light Iron color science (LiColor2). Continue reading
February 2, 2018
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The Z Cam S1 VR camera, WonderStitch, Assimilate Scratch VR Z bundle, an integrated VR production workflow offering, is now $3,999, down from $4,999.
The post Z Cam, Assimilate reduce price of S1 VR camera/Scratch VR bundle appeared first on Randi Altman's postPerspective.
Neil Anderson has been promoted to colorist at Dallas’ Lucky Post after joining the company in 2013 right out of film school. Anderson’s projects include national brands such as Canada Dry, Costa, TGI Friday’s, The Salvation Army and YETI. His latest feature work was featured at the 2018 Sundance Film Festival in Augustine Frizzell’s comedy, Continue reading
February 1, 2018
The post Neil Anderson upped to colorist at Lucky Post, talks inspiration appeared first on Randi Altman's postPerspective.