Comedy director Aaron Beckum joins Strike Anywhere

Strike Anywhere, a production company with offices in LA and San Francisco, has grown its roster with the addition of comedy director Aaron Beckum to its talented roster.

Originally from Kansas City, Beckum grew up mostly in Europe before coming to LA by way of Vancouver. Continue reading

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David Walton Smith joins digital agency Grow as head of film

Norfolk, Virginia-based digital agency Grow has expanded its film and production capabilities with the addition of David Walton Smith, who will take on the newly created role of head of film. Walton Smith will be charged with overseeing all content development and video production for the agency’s clients, which include Google, Continue reading

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Trio from Reel FX and Shilo team on VFX, live-action studio

The commercial division of digital studio Reel FX has teamed up with Shilo founder/executive creative director Jose Sebastian Gomez to launch strategic creative group ATK PLN. Emmy Award-winner Gomez will lead the creative vision for the studio, joined by former Digital Domain HOP Jim Riche as executive producer, with overall strategy led by Reel FX’s David Bates as managing director. Continue reading

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The 16th annual VES Award winners

The Visual Effects Society (VES) celebrated artists and their work at the 16th Annual VES Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials, video games and special venues.

Seven-time host, comedian Patton Oswalt, presided over more than 1,000 guests at the Beverly Hilton. Continue reading

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ASC names Eric Rodli executive director

Eric Rodli has been named executive director of the American Society of Cinematographers (ASC). Rodli, an ASC associate member since 2001, has served six years as co-chair of the ASC Motion Imaging Technology Council’s Cinema Display Committee. He co-authored the committee’s 2016 white paper, “Cinema Display Evaluation Plan and Test Protocol,” which explores the key image quality parameters of dynamic range, Continue reading

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Sony to ship Venice camera this month, adds capabilities

Sony’s next-gen CineAlta motion picture camera Venice will start shipping this month. As previously announced, V.1.0 features support for full-frame 24x36mm recording. In addition, and as a result of customer feedback, Sony has added several new capabilities, including a Dual Base ISO mode. With 15+ stops of exposure latitude, Continue reading

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Panavision intros Millennium DXL2 camera with Red Monstro 8K sensor

Panavision is at the BSC Expo 2018 showing its new Millennium DXL2 8K camera. The large-format camera is the heart of a complete imaging ecosystem designed from filmmakers’ perspectives, seamlessly incorporating Panavision’s unmatched optics and camera architecture, the Red Monstro 8K VV sensor and Light Iron color science (LiColor2). Continue reading

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Neil Anderson upped to colorist at Lucky Post, talks inspiration

Neil Anderson has been promoted to colorist at Dallas’ Lucky Post after joining the company in 2013 right out of film school. Anderson’s projects include national brands such as Canada Dry, Costa, TGI Friday’s, The Salvation Army and YETI. His latest feature work was featured at the 2018 Sundance Film Festival in Augustine Frizzell’s comedy, Continue reading

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