The Hate U Give director George Tillman, Jr.

By Iain Blair

The Hate U Give, which recently premiered at the Toronto Film Festival, has immediately generated big Oscar buzz. This ripped-from-the-headlines story — which scored 100% on Rotten Tomatoes — is a work of fiction based on the New York Times bestseller of the same name by Angie Thomas. Continue reading

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Our Virtual Production Roundtable

By Randi Altman

Evolve or die. That old adage, while very dramatic, fits well with the state of our current production workflows. While most productions are now shot digitally, the warmth of film is still in the back of pros’ minds. Camera makers and directors of photography often look for ways to retain that warmth in digital. Continue reading

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Atomos Ninja V records 4K 10-bit from new Nikon mirrorless cameras  

The new Nikon Z6 and Z7 mirrorless cameras output a full-frame 10-bit 4K N-Log signal, which the new Atomos Ninja V 4K HDR monitor/recorder can record and display in HDR.

The Nikon Z6 and Z7 have sensors that output 4K images over HDMI, ready for conversion to HDR by Atomos. The Atomos Ninja V records the output to production-ready 10-bit Apple ProRes or Avid DNx formats. Continue reading

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Review: The Litra Torch for pro adventure lighting

By Brady Betzel

If you are on Instagram you’ve definitely seen your fair share of “adventure” photography and video. Typically, it’s those GoPro themed action-adventure shots of someone cliff diving off a million-mile-high waterfall. I definitely get jealous. Nonetheless, one thing I love about GoPro cameras is their size, they always fit in your pocket and will reliably produce a great image. Continue reading

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Netflix’s Lost in Space: mastering for Dolby Vision HDR, Rec.709

There is a world of difference between Netflix’s ambitious science-fiction series Lost in Space (recently renewed for another 10 episodes) and the beloved but rather low-tech, tongue-in-cheek 1960s show most fondly remembered for the repartee between persnickety Dr. Smith and the rather tinny-looking Robot. This series, starring Molly Parker, Toby Stevens and Parker Posey (in a very different take on Dr. Continue reading

The post Netflix’s <i>Lost in Space</i>: mastering for Dolby Vision HDR, Rec.709 appeared first on Randi Altman's postPerspective.

Netflix’s Lost in Space: mastering for Dolby Vision HDR, Rec.709

There is a world of difference between Netflix’s ambitious science-fiction series Lost in Space (recently renewed for another 10 episodes) and the beloved but rather low-tech, tongue-in-cheek 1960s show most fondly remembered for the repartee between persnickety Dr. Smith and the rather tinny-looking Robot. This series, starring Molly Parker, Toby Stevens and Parker Posey (in a very different take on Dr. Continue reading

The post Netflix’s <i>Lost in Space</i>: mastering for Dolby Vision HDR, Rec.709 appeared first on Randi Altman's postPerspective.

A colorist weighs in on ‘the new world’ of HDR

By Maxine Gervais

HDR is on many people’s minds these days. Some embrace it, some are hesitant and some simply do not like the idea.

But what is HDR really? I find that manufacturers often use the term too loosely. Anything that offers higher dynamic range can fall into the HDR category, Continue reading

The post A colorist weighs in on ‘the new world’ of HDR appeared first on Randi Altman's postPerspective.

A colorist weighs in on ‘the new world’ of HDR

By Maxine Gervais

HDR is on many people’s minds these days. Some embrace it, some are hesitant and some simply do not like the idea.

But what is HDR really? I find that manufacturers often use the term too loosely. Anything that offers higher dynamic range can fall into the HDR category, Continue reading

The post A colorist weighs in on ‘the new world’ of HDR appeared first on Randi Altman's postPerspective.