A Conversation: Lady Bird director Greta Gerwig and editor Nick Houy

By Amy Leland

There are moments as a filmmaker, and as someone who writes about filmmaking, when I get to have such special and unexpected experiences. One of the best recent ones was a chat I had with writer/director Greta Gerwig and editor Nick Houy about their collaboration on A24’s Lady Bird, Continue reading

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Sight Sound & Story: The Art of Cinematography 2017

By Amy Leland

After EditFest NY moved to London, Manhattan Edit Workshop picked up the reins with its Sight Sound & Story (SS&S) conferences. The first post production event premiered in June of 2013. The format was similar — top-of-their-craft editors and post specialists participating in panels focusing on specific areas of the industry. Continue reading

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Director and former agency EP Katya Bankowsky joins Strike Anywhere

Director Katya Bankowsky has been added to the roster at LA- and San Francisco-based production company Strike Anywhere. Bankowsky is a former agency executive producer and director. Working as an EP led to her directing campaigns in-house for ad agencies like Mcgarrybowen. Her signing is a strategic move for Strike Anywhere, Continue reading

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Three Billboards Outside Ebbing, Missouri director Martin McDonagh

By Iain Blair

Anglo-Irish playwright Martin McDonagh won an Academy Award for Best Live Action Short Film for Six Shooter, his first foray into film, and followed that project with his feature film debut In Bruges. Starring Colin Farrell, Ralph Fiennes and Brendan Gleeson, Continue reading

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Timecode Systems intros SyncBac Pro for GoPro Hero6

Not long after GoPro introduced its latest offering, Timecode Systems released a customized SyncBac Pro for GoPro Hero6 Black cameras, a timecode-sync solution for the newest generation of action cameras.

By allowing the Hero6 to generate its own frame-accurate timecode, the SyncBac Pro creates the capability to timecode-sync multiple GoPro cameras wirelessly over long-range RF. Continue reading

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Kevin Tent, ACE, on directorial debut Crash Pad and editing Downsizing

By Randi Altman

To say that Kevin Tent, ACE, is a prolific editor is in no way hyperbole. He has cut some of the most celebrated films of the last few years as a frequent collaborator of director Alexander Payne. They worked together on seven films, including Paramount’s upcoming Downsizing, Continue reading

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