Sony creates sounds for Director X’s Superfly remake

Columbia Pictures’ Superfly is a reimagining of Gordon Parks Jr.’s classic 1972 blaxploitation film of the same name. Helmed by Director X and written by Alex Tse, this new version transports the story of Priest from Harlem to modern-day Atlanta.

Superfly’s sound team from Sony Pictures Post Production Services — led by supervising sound editor Steven Ticknor, Continue reading

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Hobo’s Chris Stangroom on providing Quest doc’s sonic treatment

Following a successful film fest run that included winning a 2018 Independent Spirit Award, and being named a 2017 official section at Sundance, the documentary Quest is having its broadcast permiere on PBS this month as part of their POV series.

Filmed with vérité intimacy for nearly a decade, Continue reading

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Netflix’s Godless offers big skies and big sounds

By Jennifer Walden

One of the great storytelling advantages of streaming services like Netflix is that strict program lengths don’t encumber content creators. The total number of episodes in a show’s season could be 13 or 10 or less. An episode can run 15 minutes over the traditional hour or it could be 33 minutes in length. Continue reading

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Capturing, creating historical sounds for AMC’s The Terror

By Jennifer Walden

It’s September 1846. Two British ships — H.M.S. Erebus and H.M.S. Terror — are on an exploration to find the Northwest Passage route to the Pacific Ocean. The expedition’s leader, British Royal Navy Capt. Sir John Franklin leaves the Erebus to dine with Capt. Francis Crozier aboard the Terror. Continue reading

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Behind the Title: PlushNYC partner/mixer Mike Levesque, Jr.

NAME: Michael Levesque, Jr.

COMPANY: PlushNYC

CAN YOU DESCRIBE YOUR COMPANY?
We provide audio post production

WHAT’S YOUR JOB TITLE?
Partner/Mixer/Sound Designer

WHAT DOES THAT ENTAIL?
The foundation of it all for me is that I’m a mixer and a sound designer. Continue reading

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Ren Klyce: Mixing the score for Star Wars: The Last Jedi

By Jennifer Walden

There are space battles and epic music, foreign planets with unique and lively biomes, blasters, lightsabers, a universe at war and a force that connects it all. Over the course of eight “Episodes” and through numerous spin-off series and games, fans of Star Wars have become well acquainted with its characteristic sound. Continue reading

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Super Bowl: Heard City’s audio post for Tide, Bud and more

By Jennifer Walden

New York audio post house Heard City put their collaborative workflow design to work on the Super Bowl ad campaign for Tide. Philip Loeb, partner/president of Heard City, reports that their facility is set up so that several sound artists can work on the same project simultaneously. Continue reading

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Coco’s sound story — music, guitars and bones

By Jennifer Walden

Pixar Animation Studios’ animated Coco is a celebration of music, family and death. In the film, a young Mexican boy named Miguel (Anthony Gonzalez) dreams of being a musician just like his great-grandfather although his family is dead-set against it. On the evening of Día de los Muertos (the Mexican holiday called Day of the Dead), Continue reading

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