Optical Art DI colorist Ronney Afortu on In the Fade

Chicago-born, Germany-raised Ronney Afortu has been enjoying a storied career at Hamburg-based studio Optical Art. This veteran senior DI colorist has an impressive resume, having worked on the Oscar-nominated film Mongol, with Oscar-winning director Bille August on Night Train to Lisbon, Continue reading

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Director Kay Cannon on her raunchy comedy Blockers

By Iain Blair

At a time when women are increasingly breaking down barriers in Hollywood, writer/director Kay Cannon is helping lead the charge. This director of Universal’s new film Blockers got her start at such comedic training grounds as The Second City, The iO West Theater and The ComedySportz Theatre. Continue reading

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Film Stars Don’t Die in Liverpool director Paul McGuigan

By Iain Blair

BAFTA- and Emmy-nominated director and producer Paul McGuigan has made quite a name for himself in film and TV thanks to his gift for handling gritty crime procedurals and atmospheric dramas. This Scot started out as a still photographer before working his way into the documentary field, Continue reading

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Ren Klyce: Mixing the score for Star Wars: The Last Jedi

By Jennifer Walden

There are space battles and epic music, foreign planets with unique and lively biomes, blasters, lightsabers, a universe at war and a force that connects it all. Over the course of eight “Episodes” and through numerous spin-off series and games, fans of Star Wars have become well acquainted with its characteristic sound. Continue reading

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Oscar-nominated director Jordan Peele on Get Out

By Iain Blair

The acclaimed and multi-layered horror film Get Out, the debut feature film from comedian-turned-director Jordan Peele, is chock full of shocks and surprises. It also shocked a lot of people in the industry when it went on to gross over quarter of a billion dollars — on a $4.5 million budget, Continue reading

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Oscar Watch: The Shape (and sound) of Water

Post production sound mixers Christian Cooke and Brad Zoern, who are nominated (with production mixer Glen Gauthier) for their work on Fox’s The Shape of Water, have sat side-by-side at mixing consoles for nearly a decade. The frequent collaborators, who handle mixing duties at Deluxe Toronto, Continue reading

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The A-List: The Big Sick director Michael Showalter

By Iain Blair

If life is stranger than fiction, then the acclaimed Oscar-nominated film The Big Sick is Exhibit A. Based on the unlikely real-life courtship between Pakistani comedian/writer Kumail Nanjiani and writer/producer Emily V. Gordon, it tells the story of Kumail (playing a version of himself), Continue reading

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The A-List: Roman J. Israel director Dan Gilroy

By Iain Blair

Writing and movies have always been in director/writer Dan Gilroy’s DNA. The son of Pulitzer Prize-winning playwright Frank Gilroy, he has two brothers who’re also in the business — director/writer Tony Gilroy (Michael Clayton, the Bourne franchise) and editor John Gilroy. Continue reading

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Tatiana Riegel on editing the dark comedy I, Tonya

By Randi Altman

I, Tonya is sad and funny and almost unbelievable in the sense that this — or a version of this — actually did happen. It’s also a fantastic movie.

Some of us are old enough to remember when the Tonya Harding/Nancy Kerrigan “Why?!” incident took place. Continue reading

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